Preceding yesterday’s Halloween blue moon was the Harvest Moon of October 1. This autumn’s road adventure marks the first time in the past 14 years of travel that I’ve packed only film cameras and left my DSLR at home. I have lost interest in digital photography in recent years and I find that I’m much happier when shooting film. However, DSLRs are clearly the superior choice when it comes to astrophotography; if I hope to capture the Milky Way or the northern lights, I will pack my digital Nikon.
The rise of the Harvest Moon is something I look forward to each year. As that date approaches, I tweak the Pontiac’s course to put myself in an area with good weather and an open horizon. This was my first attempt at preserving the event on color film.
(My time-lapse video of this moonrise can be viewed here.)
Crook County, Wyoming
Kodak Ektar 100 film (35mm)
So, things were pretty peachy once I arrived in California after my epic trek westward…
Truth is, this is just some beautiful home on the bi-weekly route of the landscaping company that hired me to prune, rake, pull weeds, haul mulch and drown slugs on stately properties throughout Marin County. As I knew that the work day would end here and the owners would not be home, I washed the car the evening before and packed the camera.
Photo taken in 1991 on (the short-lived) Kodak Ektar 125 film.
Ilford FP4 35mm film (expired)
My first car (1957 Ford Fairlane Town Sedan), which we successfully drove down to the Florida Keys. Almost made it all the way home, but near Daleville, Indiana, the 28-year-old generator mounting bracket decided to cash out, leaving the generator dangling by its wires and scraping the highway.
After a long, cold walk down the shoulder of the interstate, we entered a truck stop and, luckily, found a guy at the lunch counter who owned a tow truck and a nearby welding shop. Once he had finished his meal, we were off to get the stranded Fairlane and haul it to K & S. He made a replacement bracket and welded it in place, finishing just before sundown (hard to see in this exposure, but he’s there, bent over the right fender). Don’t remember his name…may have started with a K or an S.
Kodak Ektachrome 35mm film
All of the digital infrared images taken during my first visit to the Buffalo Peaks Ranch have now been posted. Two years after that trip, I returned to the ranch with an assortment of long-expired rolls of 35mm film, just to see what they would do. One of those rolls—Kodak Infrared film—was as old as my car.
I wasn’t expecting much from the IR experiment, but the results were ghostly and surreal, with strange artifacts and black skies; looked as though the photos had been taken during the night. Only a few of the frames contained anything resembling a photograph. Here, you can barely make out the shadowy figure of Sarah (right below the sun) heading up the trail to the South Platte River.
South Park, Colorado
Kodak Infrared film (expired 1971)
The semis roll through
Like stainless steel stallions
Goin’ hard, goin’ fast, goin’ wild
Rollin’ hard, rollin’ fast, rollin’ by
Robert Earl Keen
Kodak Panatomic-X 35mm film
At the Texas/New Mexico line
Kodak Plus-X 35mm film
Cemetery at Vaughn, New Mexico
Ilford Delta 400 film (35mm)
Yeso, New Mexico
Ilford Delta 400 film (35mm)